Much has happened since I last posted the step-by-step process for this painting. Actually, I got so caught up in the painting, I never stopped to photograph the work as progress continued. Nevertheless, here is the final result. This was truly a labor of love. After blocking-in the water and surrounding features, I started to add some of the key features. The gondalas/gondaliers and their passengers were a lot of fun. However, the rendering of the couple in the gondala to the left (who, by the way is the good Dr. who commissioned this piece) proved to be a challenge. The hairs on my brushes weren't cooperating as I attempted to paint his mustache. It kept coming out like Cheech of the Cheech and Chong Comedy Team. Painting a head the size of a finger-nail can be a little tricky. I finally came to terms with the fact that I need only create a resemblance not the Mona Lisa.
The other gondala has one passenger. I thought it would make a nice contrast. The couple on the left obviously in bliss while the other carries a lone passenger; leaving the viewer to complete the story however, he/she chooses.
The other gondala has one passenger. I thought it would make a nice contrast. The couple on the left obviously in bliss while the other carries a lone passenger; leaving the viewer to complete the story however, he/she chooses.
Towards the end, I added some reflections of the buildings and columns in the water. I then applied some impasto strokes with both my brushes as well as my pallette knife. At this point, I find it hard to stop painting. I look at the painting from different distances as well as with different lighting to see if anything jumps out at me calling for additional attention. It's time to let go of the piece and prepare to say goodbye to something you've worked so diligently on. The client is very happy with the final piece which is the ultimate goal. Knowing that your work will be enjoyed for centuries -to -come is perhaps the most fulfilling thing an artist can hope for.
